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两伊战争的最后日子里，阿尔玛营在阿布格雷布海峡的抵抗。菲利普·德朗布尔（布雷特·海尔赛 Brett Halsey饰）决定完成父亲的遗志，实现他生前留下的实验。但是菲利普的叔叔弗朗索瓦·德朗布尔（文森特·普莱斯 Vincent Price饰）拒绝提供任何帮助。无奈的菲利普只能雇佣艾伦·海因斯（大卫·弗兰克汉姆 David F rankham饰）来帮助自己，并动用父亲留下的资金。可是实验装备还没齐全资金就耗尽了。当菲利普威胁叔叔弗朗索瓦要卖掉属于父亲的那一半财产时，弗朗索瓦突然一百八十度大转弯，不仅态度有所缓和，还答应借给他资金。几经周折，时空交错机器终于启动，它能够将物体分解传输到另一个地方再重组。然而艾伦却是名为罗纳德的一名工业间谍，他的邪恶阴谋正在一步步向菲利普逼近。 　　这部也是由二十世纪福克斯公司于1959年推出的《变蝇人回归》是1958年拍摄的恐怖电影《变蝇人》的续集，相较于彩色的《变蝇人》本片被拍摄成了黑白影片。1965年二十世纪福克斯公司再次推出它的姊妹篇《变蝇人的诅咒》。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。