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本片根据《罗马假日》篡改。《罗马黑帮》可以算是国内第一部具有一定规模制作的“同人电影”了。它之所以和别的小电影不同，是因为它并不是简单地将老电影进行重新剪辑和配音，同时为了配合新的故事和人物关系，制作者召集到了国内几家顶尖专业院校里的歪才甚至中央台、北京台里 的革命同志。不但拍摄了很多新画面，并为本片单独写了主题曲和插曲——而正是这些原创的画面和音乐，从而形成了本片中最有戏剧张力和喜剧冲突的场景。 　　从这一点上来说，我们已经可以看到“创作”的概念了。我们在《罗马黑帮》中看到的不仅仅只是几个影迷在抖小机灵和调侃，而是用一种自己的态度和方式，将一个大家都已经知道个故事重新诠释，赋予了它新的生命力。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。