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1889年，位于伦敦东区的白教堂一带发生连续杀害多名女子的凶杀案，让维多利亚时期的伦敦陷入恐惧的疑云之中。凶手代号开膛手杰克，犯案期间多次写信至警察局挑衅，却始终未落入法网。直到120多年后，这位恶名昭彰的连环杀人犯依旧有着令人闻风丧胆的影响力，其大胆的犯案手法，又经媒体一再渲染而引起英国社会的恐慌。伦敦警局H分部的任务，是负责平息开膛手杰克犯案后的恐慌气氛，并且要将这个难以捉摸的罪魁祸首缉拿归案。负责这起案件的警长里德和德雷克将并肩作战，寻找出开膛手杰克。在法医杰克逊的帮助下，众人得以循着线索发现了一些案件的真相。里德三人连夜赶去摄影馆，发现了藏在暗格里的许多密照。其中，一张照片拍下了贵族唐纳森的脸和他的所作所为。所有证据都表明，这是一起故意伪装成开膛手的凶杀案，而唐纳森才是此案的真正凶手。经过一番周折，里德一行人终于找到了唐纳森的藏身之地，将其绳之以法。。大宁王朝风雨飘摇，裴慎之篡改遗诏，扶植傀儡皇帝宁谨一登基。宁谨一表面顺从，暗中积蓄力量，推动新政。裴慎之暗中助力，被其智慧吸引。最终，宁谨一肃清朝政，成为一代女帝。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。