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但去朋友家睡觉姐姐朋友…! 人气作家色说不能玩的内情! “前辈,一时冲动和亲姐姐的朋友”、“性感”等网上系列的作家色说人气阿德。现实高考补习班讲师兼新春文艺当选梦想的生计型作家东明(崔在焕)。有一天,他的面前初恋素妍(王发光)出现。他写的小说中的“前辈多和因赌气就性感”的着作权的主张,并展开其间分享收益的!本来初恋失败后,李炤燕并憎恨扭曲的여성관的同名来说,这实在令人痛心疾首。李炤燕在着作权费用之前,绝对无法去家里同名。”并称:“东明瘫坐在地减少资金是安还是“素妍的人,但她反而待遇,身穿内衣辗转当时那样数十年前减少而话语。万李炤燕在自己作为主角登场的人气色说的版权,可以得到认可吗?他是要写董明汉传闻中的主人公一样的初恋和她热烈分享爱情?。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。